Recording sessions Background Īfter the release of Highway 61 Revisited in August 1965, Dylan set about hiring a touring band.
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It was one of the first double albums in rock music. Combining the expertise of Nashville session musicians with a modernist literary sensibility, the album's songs have been described as operating on a grand scale musically, while featuring lyrics one critic called "a unique mixture of the visionary and the colloquial". Critics often rank Blonde on Blonde as one of the greatest albums of all time. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded.īlonde on Blonde completed the trilogy of rock albums that Dylan recorded in 19, starting with Bringing It All Back Home and Highway 61 Revisited. At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee.
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Though sessions continued until January 1966, they yielded only one track that made it onto the final album-" One of Us Must Know (Sooner or Later)". Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks.
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